HOYTS and Pacific Lantern Open a New Route for Chinese-Language Cinema
HOYTS is teaming with Pacific Lantern to distribute more Chinese-language films across Australia and New Zealand, signaling a more structured diasporic cinema economy.
Markets, companies, technology, economic influence and leadership.
HOYTS is teaming with Pacific Lantern to distribute more Chinese-language films across Australia and New Zealand, signaling a more structured diasporic cinema economy.
Calgary wants to turn its Nashville North identity into a real economic strategy built around music, cultural tourism and major venues.
New Zealand is preparing with Australia and Canada an Indigenous co-production initiative that turns TIFF into a platform for cultural sovereignty.
The U.S. Supreme Court must decide whether to review a Maine lobsterman's challenge to mandatory GPS trackers on lobster boats.
With nine nominations at the 2026 CMA Awards, Ella Langley confirms the power of a younger, more female-led and more exportable country music economy.
Justin Trudeau and Katie Telford unveil Hope & Hard Work, a Canadian production company aiming to bring films, series, and documentaries to the global market.
With Oprah Winfrey's AHA at Sphere Las Vegas, personal development becomes a premium immersive show and a test for the live economy.
The flash floods that hit Connecticut, New York and New Jersey show that climate adaptation has become a matter of mobility, commerce and urban value.
The return of 60 Minutes on CBS exposes a larger challenge for Paramount: how to modernize an institution without breaking its trust capital.
In Rovaniemi, European leaders are looking at the Arctic as a new theater of power, shaped by shipping routes, minerals, Russia and climate change.
In Toronto, Mark Carney is selling Canada as a trusted power for global capital, just as the United States seeks to pull factories and investment south.
Gaumont delivered strong first-half 2026 growth: revenue rose 33%, exports nearly doubled and the net loss narrowed sharply. It is an important signal for French cinema.
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