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Culture without borders. / La culture sans frontières.

In Oaxaca, Children Become Guardians of Their Heritage

A UNESCO-supported programme invites Oaxaca's children to explore the historic centre through play, while local guides develop new ways to share its heritage.


Santhia Antoine
Santhia Antoine
September 20, 2026  ·  5 min read
À Oaxaca, les enfants deviennent gardiens de leur patrimoine
B-EMPIRE Magazine

A historic centre is not merely scenery for visitors: it is also a neighbourhood where children grow up. In Oaxaca de Juárez, Mexico, children are exploring their city with guides, games and activity booklets to discover what surrounds them every day. On 18 September 2026, UNESCO presented Guardianes del Patrimonio, or Guardians of Heritage, an initiative run by the municipality’s historic-centre and heritage directorate with UNESCO support. Launched over the summer, it is now set to reach more than 300 girls and boys from five primary schools in and around the city centre. The news is not another inscription on a list. It is about how a city passes on a shared inheritance to its own residents.

Learning outdoors, and through play

The first free activities took the form of walks through Oaxaca’s historic centre. Children use materials created for the programme, including an activity booklet, a lotería game and a snakes-and-ladders game. These devices do not turn monuments into mere entertainment. They open several routes into observation, discussion and local memory. A child may recognize a square, a building or a family practice before possessing the specialist vocabulary to describe it. Beginning with ordinary experience helps prevent heritage from seeming remote, a subject reserved for experts or tourists alone.

According to UNESCO, the guides received prior training in teaching methods, heritage interpretation and engaging varied audiences. They then designed their own tours and active-learning approaches. This is a decisive detail: the quality of a visit depends as much on how questions are asked and answers heard as on the number of dates recited. Developing local guides’ skills in cultural interpretation may also have uses beyond a single summer. Yet the release provides neither an assessment of learning outcomes nor a precise schedule for every future session. The stated ambition must remain distinct from effects that have yet to be measured.

A city linked to an archaeological site

The historic centre of Oaxaca de Juárez and the archaeological site of Monte Albán together form a World Heritage property inscribed in 1987. The World Heritage Centre’s description clearly identifies two components: the city and its colonial urban fabric, and the former ceremonial centre at Monte Albán. The children’s programme takes place in the streets of the historic centre; it should not be assumed that every group also visits the archaeological site. Rather, the tours provide an opportunity to explain why the city and Monte Albán are presented together without collapsing their distinct histories and scales.

That connection also challenges the idea that heritage consists only of walls. UNESCO describes Guardianes del Patrimonio as an encounter with tangible and intangible inheritance: knowledge, practices and relationships that sustain communities’ identities. The living fabric of a city cannot be contained in a restored facade. How a square is used, what people know how to make and the stories families share all shape children’s understanding of their surroundings. This approach does not remove the need for architectural conservation. It simply reminds us that protecting an inhabited place requires dialogue with the people who give it life.

Cultural learning and paid local work

The initiative belongs to UNESCO’s Communities for Heritage programme, backed by the Ministry of Culture of the Kingdom of Saudi Arabia. It uses a temporary paid-work mechanism often called cash for work. In May 2026, UNESCO said more than thirty artists and heritage guides in Oaxaca were launching artistic and educational interventions through this framework. The funding connects cultural interpretation with local employment. It would be unwise, however, to conclude that every job will become permanent or that the economic returns are already known. Duration, incomes and what follows the project would require dedicated monitoring.

The broader programme also seeks to deepen community involvement in World Heritage cities across Latin America and the Caribbean, alongside more responsible cultural tourism. In Oaxaca, UNESCO points to safeguarding intangible heritage, bringing it into urban planning, improving visitor management and engaging residents. This is a delicate combination. A neighbourhood can be promoted as a destination without becoming a better place to live for its inhabitants. By first giving children from the city tools to read their surroundings, Guardianes del Patrimonio puts residents at the start of the conversation rather than at its edge.

Being a guardian is not bearing the burden alone

The phrase ‘guardians of heritage’ has educational force, but it must not transfer to children the responsibility for protecting buildings, practices and neighbourhoods. That duty also belongs to public institutions, conservation professionals and adults making decisions about budgets and urban development. Young participants can learn to ask questions, share discoveries and eventually take part in collective choices. Play and guided walks help cultivate an attentive way of looking. Their success should not be judged by how many small ambassadors they produce for a tourism campaign.

For B-EMPIRE, the Oaxaca story matters because it changes the scale of attention. A listed city may be famous abroad while remaining insufficiently explained to the people who live there. September’s announcement offers concrete facts: a municipal programme supported by UNESCO, free walks, trained guides and an expansion planned for five schools and more than 300 children. It does not yet demonstrate a lasting change in conservation practice. But it offers a demanding starting point: treat children as active readers of their city, and heritage as a relationship to sustain rather than an image to consume.

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